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	<title>na putu ka oskarau &#8211; Lazar Ristovski</title>
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	<title>na putu ka oskarau &#8211; Lazar Ristovski</title>
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		<title>Film “Belo odelo“ &#8211; Na putu ka Oskaru</title>
		<link>https://www.lazarristovski.com/film-belo-odelo-na-putu-ka-oskaru/</link>
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		<pubDate>Thu, 29 Aug 2019 08:17:31 +0000</pubDate>
				<category><![CDATA[Na putu ka Oskaru]]></category>
		<category><![CDATA[belo odelo]]></category>
		<category><![CDATA[kandidat za oskara]]></category>
		<category><![CDATA[lazar]]></category>
		<category><![CDATA[lazar ristovski]]></category>
		<category><![CDATA[na putu ka oskarau]]></category>
		<category><![CDATA[oscar]]></category>
		<category><![CDATA[oscar 1999]]></category>
		<category><![CDATA[oskar]]></category>
		<category><![CDATA[oskar 1999]]></category>
		<category><![CDATA[ristovski]]></category>
		<guid isPermaLink="false">https://www.lazarristovski.com/?p=2126</guid>

					<description><![CDATA[Sve što je u ovom filmu prikazano zaista se i dogodilo” , tvrdi Lazar Ristovski, “ali sam ja želeo da film podignem za stopu iznad zemlje i tako mu dam utisak nestvarnog i poetičnog. Zašto? Zato što je današnji gledalac suviše pritisnut realnošću života ( pogotovu u Jugoslaviji) i potrebna mu je jedna ulepšana slika sveta... <div class="read-more"><a href="https://www.lazarristovski.com/film-belo-odelo-na-putu-ka-oskaru/" class="read-more-link">Continue</a><span class="ion-ios-arrow-thin-right read-more-icon"></span></div>]]></description>
										<content:encoded><![CDATA[<div class="wpb-content-wrapper"><p>Sve što je u ovom filmu prikazano zaista se i dogodilo” , tvrdi <a href="https://lazarristovski.com/" target="_blank" rel="noopener noreferrer">Lazar Ristovski</a>, “ali sam ja želeo da film podignem za stopu iznad zemlje i tako mu dam utisak nestvarnog i poetičnog. Zašto? Zato što je današnji gledalac suviše pritisnut realnošću života ( pogotovu u Jugoslaviji) i potrebna mu je jedna ulepšana slika sveta koja se oslanja na romantični zanos, emocije, strasti, poetiku, čast, viteštvo, želju za igrom i tolerancijom”.</p>
<p>Likovi u filmu – bez obzira kojem socijalnom, obrazovnom ili kulturnom nasledju pripadaju – imaju svest o sebi i dopuštaju sebi da razmišljaju o velikim temama kao što su život sam po sebi, ljubav, opstanak, postojanje, smrt, večiti krug, prolaznost i nesavršena priroda ljudskog roda. Oni se ne boje da pokažu svoja prava osećanja i svoje pravo lice. Glavni junak ide i jedan korak dalje: on se ni smrti ne boji.</p>
<p><img fetchpriority="high" decoding="async" class="alignnone wp-image-3977" src="https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-cover-2-zillion-film-300x101.jpg" sizes="(max-width: 1152px) 100vw, 1152px" srcset="https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-cover-2-zillion-film-300x101.jpg 300w, https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-cover-2-zillion-film-768x258.jpg 768w, https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-cover-2-zillion-film-1024x344.jpg 1024w, https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-cover-2-zillion-film.jpg 1920w" alt="" width="1152" height="388" /></p>
<blockquote>
<p style="text-align: center;"><strong>“JUGOSLOVENSKI FILM NAM DARUJE OVE GODINE”…</strong></p>
<p>&nbsp;</p>
<p>Jugoslovenski film nam daruje ove godine uprkos činjenici da je produkcija pala ispod deset naslova. Posle velikih uspeha Emira Kusturice sa filmom “Bela mačka, crni mačor” (Srebrni lav na festivalu u Veneciji 1998.) i Gorana Paskaljevića sa “Buretom baruta” (najbolji evropski film po izboru udruženja filmskih kriticara FIPRESCI 1998.godinu) stiže nam “<a href="https://zillionfilm.com/belo-odelo/">Belo odelo</a>” film Lazara Ristovskog u kome je on producent, scenarista, reditelj i tumač glavne uloge. Na pomen ovih imena oseća se duh istomišljenika. Ovo je logičan sled, posle trijumfa kod Kusturice u ulozi Crnog u “Podzemlju” (Zlatna palma, Kan 1995.) i upečatljive, nezaboravne uloge u “Buretu baruta”, kao zreo glumac, ne samo u Beogradu u kome uživa ugled poput Depardjea u Parizu, Ristovski pripada svetskoj glumackoj eliti.</p>
<p><strong><em>Žan Roa</em></strong></p></blockquote>
<p><img decoding="async" class="alignnone wp-image-3920" src="https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-zillion-film-galerija-5-300x200.jpg" sizes="(max-width: 980px) 100vw, 980px" srcset="https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-zillion-film-galerija-5-300x200.jpg 300w, https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-zillion-film-galerija-5-768x512.jpg 768w, https://zillionfilm.com/wp-content/uploads/2019/03/belo-odelo-zillion-film-galerija-5.jpg 1024w" alt="" width="980" height="653" /></p>
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<h3 class="vc_custom_heading" style="text-align: center;">SVI KANDIDATI ZA OSCAR 1999.</h3>
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<ul>
<li>Argentina, “<strong>Manuelita</strong>,” Manuel Garcia Ferre, režiser</li>
<li>Austria, “<strong>Northern Skirts</strong>,” Barbara Albert, režiser</li>
<li>Belgium, “<strong>Rosetta</strong>,” Luc and Jean-Pierre Dardenne, režiser</li>
<li>Bhutan, “<strong>The Cup</strong>,” Khyentse Norbu, režiser</li>
<li>Brazil, “<strong>Orfeu</strong>,” Carlos Diegues, režiser</li>
<li>Canada, “<strong>Set Me Free</strong>,” Lea Pool, režiser</li>
<li>China, “<strong>Lover’s Grief over the Yellow River</strong>,” Feng Xiao Ning, režiser</li>
<li>Colombia, “<strong>Time Out</strong>,” Sergio Cabrera, režiser</li>
<li>Croatia, “<strong>Red Dust</strong>,” Zrinko Ogresta, režiser</li>
<li>Czech Republic, “<strong>Return of the Idiot</strong>,” Sasa Gedeon, režiser</li>
<li>Denmark, “<strong>Mifune</strong>,” Soren Kragh-Jacobsen, režiser</li>
<li>Finland, “<strong>The Tough Ones</strong>,” Aleksi Makela, režiser</li>
<li>France, “<strong>East-West</strong>,” Regis Wargnier, režiser</li>
<li>Georgia, “<strong>Here Comes the Dawn</strong>,” Zaza Urushadze, režiser</li>
<li>Germany, “<strong>Aimee &amp; Jaguar</strong>,” Max Farberbock, režiser</li>
<li>Greece, “<strong>From the Edge of the City</strong>,” Constantinos Giannaris, režiser</li>
<li>Hong Kong, “<strong>Ordinary Heroes</strong>,” Ann Hui, režiser</li>
<li>Hungary, “<strong>The Lord’s Lantern in Budapest</strong>,” Miklos Jancso, režiser</li>
<li>Iceland, “<strong>The Honour of the House</strong>,” Gudny Halldorsdottir, režiser</li>
<li>India, “<strong>Earth</strong>,” Deepa Mehta, režiser</li>
<li>Indonesia, “<strong>Sri</strong>,” Marselli Sumarno, režiser</li>
<li>Iran, “<strong>The Colours of Paradise</strong>,” Majid Majidi, režiser</li>
<li>Israel, “<strong>Yana’s Friend</strong>,” Arik Kaplun, režiser</li>
<li>Italy, “<strong>Not of this World</strong>,” Giuseppe Piccioni, režiser</li>
<li>Japan, “<strong>Railroad Man</strong>,” Yasuo Furuhata, režiser</li>
<li>Lebanon, “<strong>Around the Pink House</strong>,” Khalil Joreige &amp; Joana Hadjithomas, režiseri</li>
<li>Mexico, “<strong>El Coronel no tiene quien le escriba</strong>,” Arturo Ripstein, režiser</li>
<li>Nepal, “<strong>Caravan</strong>,” Eric Valli, režiser</li>
<li>The Netherlands, “<strong>Scratches in the Table</strong>,” Ineke Houtman, režiser</li>
<li>Norway, “<strong>The Prompter</strong>,” Hilde Heier, režiser</li>
<li>Peru, “<strong>Captain Pantoja and the Special Services</strong>,” Francisco J. Lombardi, režiser</li>
<li>The Philippines, “<strong>The Kite</strong>,” Gil M. Portes, režiser</li>
<li>Poland, “<strong>Pan Tadeusz</strong>,” Andrzej Wajda, režiser</li>
<li>Portugal, “<strong>The Mutants</strong>,” Teresa Villaverde, režiser</li>
<li>Romania, “<strong>The Famous Paparazzo</strong>“, Nicolae Margineanu, režiser</li>
<li>Russia, “<strong>Moloch</strong>,” Alexander Sokurov, režiser</li>
<li>Slovakia, “<strong>All My Loved Ones</strong>,” Matej Minac, režiser</li>
<li>Spain, “<strong>All About My Mother</strong>,” Pedro Almodovar, režiser</li>
<li>Sweden, “<strong>Under the Sun</strong>,” Colin Nutley, director</li>
<li>Switzerland, “<strong>Beresina, or The Last Days of Switzerland</strong>,” Daniel Schmid, režiser</li>
<li>Tajikistan, “<strong>Luna Papa</strong>,” Bakhtiar Khudojnazarov, režiser</li>
<li>Taiwan, “<strong>March of Happiness</strong>,” Lin Cheng-sheng, režiser</li>
<li>Turkey, “<strong>Mrs. Salkim’s Diamonds</strong>,” Tomris Gintlioglu, režiser</li>
<li>United Kingdom (Wales), “<strong>Solomon and Gaenor</strong>,” Paul Morrison, režiser</li>
<li>Venezuela, “<strong>Glue Sniffer</strong>,” Elia Schneider, režiser</li>
<li>Vietnam, “<strong>Three Seasons</strong>,” Tony Bui, režiser</li>
<li><strong>Yugoslavia, “The White Suit,” Lazar Ristovski, režiser.</strong></li>
</ul>
<p>&nbsp;</p>
<p><strong>Tekst je u potpunosti preuzet sa sajta: </strong><a href="https://zillionfilm.com/belo-odelo-na-putu-ka-oskaru/" target="_blank" rel="noopener noreferrer">ZillionFilm</a></p>
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